Margarita Carmen Cansino was born in the New York borough of Brooklyn and destined for show-business . Daughter of English dancer Eduardo Cansino and Volga Hayworth, a girl Ziegfield of Irish origin, at age 13 and began to 
dancing on stage. In 1933 comes to Hollywood and started working in small roles, in which any occasion was good to show his skills in the field of dance.
His career begins to take some relevance after signing for Columbia Pictures, where he would change his stage name by Rita Hayworth in . Its beauty and elegance on screen and his virtues as a dancer is not questioned, but had more reservations about his ability to sing and who heard it but felt that although her voice was nothing uneducated ugly decided bend in the songs.
I spoke on this blog, when I wrote the post on
Marnie Nixon , these anonymous voices that for years turned to singing in the dubbing studio, without appearing even in the movie credits, while famous artists were limited to moving his lips on the screen so successfully situation was reflected in the essential "Singing in the Rain ". For Rita Hayworth were several artists who sang for her throughout her career.
In "Who Killed Gail Preston?" (1938), one of the first
Hayworth movies with Columbia, he played the title character who gave the film, a nightclub singer who was murdered before of half of the film. Obviously I had to sing, but we decided it was dubbed by Gloria Franklin , a singer and actress who later get on screen with a small role in films like "Lady of the Tropics" , "Road to Singapore " or " FuManchu drums ".
In 1939, Rita Hayworth got his first role of importance and the first great critical acclaim in tape Howard Hawks' Only Angels Have Wings ". But it would be a result of their involvement in "Blood and Sand
" (1941), when the image of sex symbol of Hayworth starts to be created. The film, based on the novel by Vicente Blasco Ibáñez , was directed by Rouben Mamoulian for Fox, curiously, the producer rejected six years before hiring Margarita Cansino. Served in the lead roles for Tyrone Power Linda and Darnell, Rita Hayworth playing a Doña Sol of dazzling beauty and strong personality won over viewers. At one point the film, the actress had to sing the theme "Verde Luna" , but again decided it was bent, and in this case responsible for it was the Cuban Gracilla Pirraga .
Warner Brothers in 1941 arranged with Ann Sheridan
that it starred alongside James Cagney and Olivia de Havilland the film he was working, "Strawberry Blonde" (The Redhead) , led by Raoul Walsh, but a fierce debate about the wages of Sheridan led them to expel the filming and opted to sign it to actress Rita Hayworth Columbia . But the musical pieces were recruited Nan Wynn , an actress and singer big bands, to bend to Hayworth when it had to sing.
A year later, was also Nan Wynn chosen by 20th Century Fox to bring the voice Hayworth in the songs of "My Gal Sal" (My favorite girl) , a biography of the composer, actor and singer Paul Dreiser , which was interpreted by Victor Mature with his usual constipated face.
same year 1942, the Columbia Rita Hayworth decides coprotagonice with Fred Astaire "You were never lovelier" (Bailando born
love) . Both had shared ownership a year earlier in "You'll never get rich" (Never Get Rich) . say Astaire Rita Hayworth stated that was his favorite dance partner and that all had few Hayworth said that "You were never lovelier" was your favorite movie. Either way, the truth is that this is a good movie musical, thanks to the songs of Jerome Kern with lyrics by Johnny Mercer unique, which, again, Nan Wynn was responsible for putting your voice in the service of the star, as in this wonderful "I'm Old Fashioned" we can hear then, while the main characters gives us an unforgettable dance to the moonlight:
video
ziggyfollies
Martha Mears would next turn
Rita Hayworth in 1944, when Columbia Charles Vidor directs shooting "Cover Girl" (The Models) . In it, actress form couples with Gene Kelly . Professional couple, I mean, because sentiment during this shoot be married to Orson Welles . Martha Mears
also doubled Rita Hayworth in "Tonight and Every Night" (1945), the film prior to its great success in "Gilda" .
Here we see dance Hayworth and Gene Kelly in this scene from "Cover Girl" , while listening to Martha Mears and Kelly himself performing the song "Long Ago (And Far Away)" :
video
turinethefool
Anita Ellis has probably been the voice that has become more popular they turned few Rita Hayworth, contributing work done to it in the songs of the movie "Gilda" like this "My dear" :
video
marquesdealcala
Ellis also turned to other actresses Vera Ellen ,
Shelley Winters or Jeanne Crain was usual singer on radio and television, and recorded a few albums that achieved notable popularity. However, there developed a successful career what he deserved his voice due to crippling stage fright he felt and that he had to avoid, where possible their presence on stage. In recent years also has been a cruel coincidence, to have Anita Ellis Alzheimer's disease, the same one that took the lives of Rita Hayworth .
Ellis was chosen, as I said, to turn Rita Hayworth in "Gilda" , film directed by Charles Vidor in 1946. This is certainly the main blockbuster film actress and finally enshrine as the undisputed star of Hollywood and sex symbol of a generation.
In the Spain of those years the film was marked
moral rating of 4 ("seriously dangerous") and the Catholic Church, the bishop of the Canary Islands sympathetic Pildain Zapiain (name worthy of football referee) front, he threatened to excommunicate those who would see the film, prompting an unstoppable influx of seasoned movie theaters Hispanic groups were aggravating his moral and risked his excommunication and eternal punishing in hell for that to see how Rita Hayworth took off a glove, which, in total, that was morally wrong, not the one then Glenn Ford will let go tremendous Mrs. Chestnut.
Here's the famous scene with the beautiful voice of Anita Ellis singing the "Put the Blame on Mame" , the eroticism of Rita Hayworth and slap a handful of Glenn Ford :
video
VerdesOJos
Anita Ellis dubbed Rita Hayworth also in 1947 in "
Down to Earth" (The Goddess of the Dance) , and that same year would also be in "The Lady from Shanghai" , a film directed by her husband , Orson Welles , then in the process of breaking with the actress.
And again Ellis was the voice of Rita Hayworth a peculiar version of "Carmen" of Merimée , also directed by Charles Vidor , filmed under the title " The Loves of Carmen " (1948).
After returning to the cinema of Hayworth after his voluntary absence for almost 4 years after her marriage to Prince Ali Khan ,
chosen to bend the songs of the latter stage of his career was Jo Ann Greer, an excellent jazz singer who recorded many records and he also turned to be the voice in the shadow of other famous actresses like Kim Novak , June Allyson or Esther Williams .
Jo Ann Greer doubled in 1952 to Rita Hayworth in the film "Affair in Trinidad" (The Lady of Trinidad) , and in 1953 in lyrics "Sadie Thompson" (Beauty of the Pacific) , as in this issue, "The Heat Is On" , we see that Hayworth was still putting the burrotes soldiers. I think the scene was filmed before banning smoking in public places:
georgesquerelle007 video was also
Jo Ann Greer who put the voice of a mature Rita Hayworth in songs his last movie musical, "Pal Joey" (1957), which feels particularly weak, where sharing deal with Frank Sinatra and Kim Novak. Here we can hear one of my favorite topics, "Bewitched, Bothered and Bewildered" of Rodgers and Hart :
video
TheTomMunday
Although I have become a extend over the account, I refuse to end this without letting entry today, which you have had the patience to get this far, this video that I consider required viewing and listening. belongs to "The Loves of Carmen" . In it we hear singing Anita Ellis and see Rita Hayworth elaboradísima dancing a choreography for her father, Eduardo Cansino . Just my extensive experience as a translator at the UN in Mandarin Chinese and Kazakh, has allowed me to encourage me to transcribe the essential point (although I do not know if I've been successful in something):
video
Connie193
dancing on stage. In 1933 comes to Hollywood and started working in small roles, in which any occasion was good to show his skills in the field of dance. His career begins to take some relevance after signing for Columbia Pictures, where he would change his stage name by Rita Hayworth in . Its beauty and elegance on screen and his virtues as a dancer is not questioned, but had more reservations about his ability to sing and who heard it but felt that although her voice was nothing uneducated ugly decided bend in the songs.
I spoke on this blog, when I wrote the post on
Marnie Nixon , these anonymous voices that for years turned to singing in the dubbing studio, without appearing even in the movie credits, while famous artists were limited to moving his lips on the screen so successfully situation was reflected in the essential "Singing in the Rain ". For Rita Hayworth were several artists who sang for her throughout her career. In "Who Killed Gail Preston?" (1938), one of the first
Hayworth movies with Columbia, he played the title character who gave the film, a nightclub singer who was murdered before of half of the film. Obviously I had to sing, but we decided it was dubbed by Gloria Franklin , a singer and actress who later get on screen with a small role in films like "Lady of the Tropics" , "Road to Singapore " or " FuManchu drums ". In 1939, Rita Hayworth got his first role of importance and the first great critical acclaim in tape Howard Hawks' Only Angels Have Wings ". But it would be a result of their involvement in "Blood and Sand
" (1941), when the image of sex symbol of Hayworth starts to be created. The film, based on the novel by Vicente Blasco Ibáñez , was directed by Rouben Mamoulian for Fox, curiously, the producer rejected six years before hiring Margarita Cansino. Served in the lead roles for Tyrone Power Linda and Darnell, Rita Hayworth playing a Doña Sol of dazzling beauty and strong personality won over viewers. At one point the film, the actress had to sing the theme "Verde Luna" , but again decided it was bent, and in this case responsible for it was the Cuban Gracilla Pirraga . Warner Brothers in 1941 arranged with Ann Sheridan
that it starred alongside James Cagney and Olivia de Havilland the film he was working, "Strawberry Blonde" (The Redhead) , led by Raoul Walsh, but a fierce debate about the wages of Sheridan led them to expel the filming and opted to sign it to actress Rita Hayworth Columbia . But the musical pieces were recruited Nan Wynn , an actress and singer big bands, to bend to Hayworth when it had to sing. A year later, was also Nan Wynn chosen by 20th Century Fox to bring the voice Hayworth in the songs of "My Gal Sal" (My favorite girl) , a biography of the composer, actor and singer Paul Dreiser , which was interpreted by Victor Mature with his usual constipated face.
same year 1942, the Columbia Rita Hayworth decides coprotagonice with Fred Astaire "You were never lovelier" (Bailando born
love) . Both had shared ownership a year earlier in "You'll never get rich" (Never Get Rich) . say Astaire Rita Hayworth stated that was his favorite dance partner and that all had few Hayworth said that "You were never lovelier" was your favorite movie. Either way, the truth is that this is a good movie musical, thanks to the songs of Jerome Kern with lyrics by Johnny Mercer unique, which, again, Nan Wynn was responsible for putting your voice in the service of the star, as in this wonderful "I'm Old Fashioned" we can hear then, while the main characters gives us an unforgettable dance to the moonlight: video
ziggyfollies
Martha Mears would next turn
Rita Hayworth in 1944, when Columbia Charles Vidor directs shooting "Cover Girl" (The Models) . In it, actress form couples with Gene Kelly . Professional couple, I mean, because sentiment during this shoot be married to Orson Welles . Martha Mears also doubled Rita Hayworth in "Tonight and Every Night" (1945), the film prior to its great success in "Gilda" .
Here we see dance Hayworth and Gene Kelly in this scene from "Cover Girl" , while listening to Martha Mears and Kelly himself performing the song "Long Ago (And Far Away)" :
video
turinethefool
Anita Ellis has probably been the voice that has become more popular they turned few Rita Hayworth, contributing work done to it in the songs of the movie "Gilda" like this "My dear" :
video
marquesdealcala
Ellis also turned to other actresses Vera Ellen ,
Shelley Winters or Jeanne Crain was usual singer on radio and television, and recorded a few albums that achieved notable popularity. However, there developed a successful career what he deserved his voice due to crippling stage fright he felt and that he had to avoid, where possible their presence on stage. In recent years also has been a cruel coincidence, to have Anita Ellis Alzheimer's disease, the same one that took the lives of Rita Hayworth . Ellis was chosen, as I said, to turn Rita Hayworth in "Gilda" , film directed by Charles Vidor in 1946. This is certainly the main blockbuster film actress and finally enshrine as the undisputed star of Hollywood and sex symbol of a generation.
In the Spain of those years the film was marked
moral rating of 4 ("seriously dangerous") and the Catholic Church, the bishop of the Canary Islands sympathetic Pildain Zapiain (name worthy of football referee) front, he threatened to excommunicate those who would see the film, prompting an unstoppable influx of seasoned movie theaters Hispanic groups were aggravating his moral and risked his excommunication and eternal punishing in hell for that to see how Rita Hayworth took off a glove, which, in total, that was morally wrong, not the one then Glenn Ford will let go tremendous Mrs. Chestnut. Here's the famous scene with the beautiful voice of Anita Ellis singing the "Put the Blame on Mame" , the eroticism of Rita Hayworth and slap a handful of Glenn Ford :
video
VerdesOJos
Anita Ellis dubbed Rita Hayworth also in 1947 in "
Down to Earth" (The Goddess of the Dance) , and that same year would also be in "The Lady from Shanghai" , a film directed by her husband , Orson Welles , then in the process of breaking with the actress. And again Ellis was the voice of Rita Hayworth a peculiar version of "Carmen" of Merimée , also directed by Charles Vidor , filmed under the title " The Loves of Carmen " (1948).
After returning to the cinema of Hayworth after his voluntary absence for almost 4 years after her marriage to Prince Ali Khan ,
chosen to bend the songs of the latter stage of his career was Jo Ann Greer, an excellent jazz singer who recorded many records and he also turned to be the voice in the shadow of other famous actresses like Kim Novak , June Allyson or Esther Williams . Jo Ann Greer doubled in 1952 to Rita Hayworth in the film "Affair in Trinidad" (The Lady of Trinidad) , and in 1953 in lyrics "Sadie Thompson" (Beauty of the Pacific) , as in this issue, "The Heat Is On" , we see that Hayworth was still putting the burrotes soldiers. I think the scene was filmed before banning smoking in public places:
georgesquerelle007 video was also
Jo Ann Greer who put the voice of a mature Rita Hayworth in songs his last movie musical, "Pal Joey" (1957), which feels particularly weak, where sharing deal with Frank Sinatra and Kim Novak. Here we can hear one of my favorite topics, "Bewitched, Bothered and Bewildered" of Rodgers and Hart :
video
TheTomMunday
Although I have become a extend over the account, I refuse to end this without letting entry today, which you have had the patience to get this far, this video that I consider required viewing and listening. belongs to "The Loves of Carmen" . In it we hear singing Anita Ellis and see Rita Hayworth elaboradísima dancing a choreography for her father, Eduardo Cansino . Just my extensive experience as a translator at the UN in Mandarin Chinese and Kazakh, has allowed me to encourage me to transcribe the essential point (although I do not know if I've been successful in something):
video
Connie193
Brother my heart, you already know
I'm dying, and you
"pious" and I commend
you call a scribe,
also my cousin.
I make a will,
like those bumpkins with substance,
apúnteme you sir clerk, clerk
apúnteme you sir.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Apúnteme you a curtain that "ca" hole be a neighbor;
apúnteme you, Mr. Clerk.
Apúnteme you a shotgun,
that has no key, gun or rod;
apúnteme you sir clerk, clerk
apúnteme you sir.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Apúnteme you an olive grove
has not been sown or planted;
apúnteme you, Mr. Clerk.
Apúnteme a picture "broke"
that not even God knows the saint who was "sio"
apúnteme you sir clerk, clerk
apúnteme you sir.
Apúnteme you, Mr. Clerk:
covered with gold, silver cutlery
, shawls
"bordaos"
with silk flowers,
two glasses of anise,
two glasses of wine, a noble gypsy
much I want.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
I'm dying, and you
"pious" and I commend
you call a scribe,
also my cousin.
I make a will,
like those bumpkins with substance,
apúnteme you sir clerk, clerk
apúnteme you sir.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Apúnteme you a curtain that "ca" hole be a neighbor;
apúnteme you, Mr. Clerk.
Apúnteme you a shotgun,
that has no key, gun or rod;
apúnteme you sir clerk, clerk
apúnteme you sir.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Apúnteme you an olive grove
has not been sown or planted;
apúnteme you, Mr. Clerk.
Apúnteme a picture "broke"
that not even God knows the saint who was "sio"
apúnteme you sir clerk, clerk
apúnteme you sir.
Apúnteme you, Mr. Clerk:
covered with gold, silver cutlery
, shawls
"bordaos"
with silk flowers,
two glasses of anise,
two glasses of wine, a noble gypsy
much I want.
Lalalú, lalalú, lalalú, lalalú, lalalú.
Lalalú, lalalú, lalalú, lalalú, lalalú.
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