http://www.youtube.com/watch?v=CR7wNSOOOjk&feature=related
http://www.youtube.com/watch?v=mvEgREF5MDI
http://www.youtube.com/watch?v=79MV00201r4
Wednesday, November 25, 2009
Rapid Heartbeat And Sport
GRANADA OF INTERPRETATION VICEDO CASTALLA
http://www.youtube.com/watch?v=CR7wNSOOOjk&feature=related
http://www.youtube.com/watch?v=mvEgREF5MDI
http://www.youtube.com/watch?v=79MV00201r4
http://www.youtube.com/watch?v=CR7wNSOOOjk&feature=related
http://www.youtube.com/watch?v=mvEgREF5MDI
http://www.youtube.com/watch?v=79MV00201r4
Wednesday, September 16, 2009
Sand Volleyball Las Vegas
XIMO Paiporta E TE BON DE FERRAN FERRER
Here you have the link to see the TE BONE Ferran Ferrer E Paiporta so you can listen and enjoy this wonderful music
http://www.csma.es/reproduccionVideos.do?origen=Videos&numeroVideos=6&agrupacion=bandaSinfonica&nombreObra=mananaDomingo&videoReproduccion=2
http://www.csma .com / reproduccionVideos.do? origin = Videos & numeroVideos = 6 & grouping = bandaSinfonica & nombreObra = mananaDomingo & videoReproduccion = 3
This concert live from the Auditorium and Congress Palace of Zaragoza on February 15, 2009, in the series "Concerts for a Sunday morning."
Banda Sinfónica del Conservatorio Superior de Aragón
Miquel Rodrigo, Ximo
Vicedo director, trombone 
http://www.csma.es/reproduccionVideos.do?origen=Videos&numeroVideos=6&agrupacion=bandaSinfonica&nombreObra=mananaDomingo&videoReproduccion=2
http://www.csma .com / reproduccionVideos.do? origin = Videos & numeroVideos = 6 & grouping = bandaSinfonica & nombreObra = mananaDomingo & videoReproduccion = 3
This concert live from the Auditorium and Congress Palace of Zaragoza on February 15, 2009, in the series "Concerts for a Sunday morning."
Banda Sinfónica del Conservatorio Superior de Aragón
Miquel Rodrigo, Ximo
Vicedo director, trombone
Saturday, September 12, 2009
Why Did Impetigo Reappear
Hello friends, long time since I wrote on the blog but I have considered writing often this year. Tell you just hit the market a new CD in which he played a concerto for trombone and band, this concert is the first time you record. The title of the concert is TE BON E Paiporta and its author is Ferrer Ferrán, which Congratulations from here for this great piece that we wrote for the trombone repertoire. This CD was recorded in December 2008 at the Auditorio Eduardo del Pueyo Conservatory of Aragon in Zaragoza, the record was hard but the result was worth it. This CD includes:
- RED DRAGON
- PINOCCHIO
- TE BON E Paiporta (Ximo Vicedo, trombone)
- EL MEU
IAIO
All works included on this CD are Ferrán Ferrer, are performed by the Banda del Conservatorio Superior de Música de Aragón and directed by Miquel Rodrigo.
If you want to buy one of these CD's are for sale in http://www.ibermusica.org/ , soon also in http://www.dehaske.com/ and if you want more information you can send me an e-mail me directly at: ximovicedo@gmail.com and also you can visit the website of composer http://www.ferrerferran.es/
Thank you and hope you like it.
Tuesday, June 9, 2009
Pedal Boats Retail Ma
THE LAW OF THE JUNGLE
"Given the terrible events unleashed in the jungle of Bagua, the first thing I say is that Peru is indebted to the brave police, they reached a place without even knowing what he faced. However, given their lives fulfilling their duty. But as this gesture is appreciated, we condemn the senseless political the President, the Premier, Minister of Interior and Congress of the APRA and Fujimori caballazo that tried to settle the debate of the controversial Decree 1090 ("Law of the Jungle '), which generated a huge mobilization of indigenous communities. The government knew that these ethnic groups would not cease their days of struggle (making of roads and oil jobs) if there was not any solution to this thorny issue. If in a week of negotiations, they were stalled, how they came to settle the issue with a trick in Congress? That ominous style of politics was cruel and senseless death of more than twenty policemen who did not know what they were exposed. Did he the government was a political ploy to resign to communities that feel that from Lima intended to wipe out its people, their lands, contaminate it, sell it and go the flora and fauna? So this is not the situation, the residents had every right to resist foreign decisions on their territory. Ignorant are those who say that the people of Lima have the same rights and asháninkas Huambisas on the forest. To Aurelio Pastor, Iquitos and the jungle is a 'resort lounge' exotic five star hotels in the Amazon. For natives, it is their homeland and that of their ancestors, which gives them life, water, food and housing. Alan Garcia, said to be intellectual, believes that the natives do not have brains, are gross and digits. Big mistake. Not for nothing and the mighty Incas nor the English with their muskets, or Sendero Luminoso terrorists could defeat them. Bolivians and Ecuadorians say that they are behind the protest, is a common way to hide the terrible mistake of the government to impose a law 'cooked' at the Government Palace with oilmen at the expense of thousands of natives. Such misuse is costing innocent blood of brave police officers and community members. The natives did not start this drama. Lived for centuries, without asking anything to the Peruvian State, inhabiting the jungle. Being used when the state gave him the win. To fight in the War of Cenepa and to combat Sendero. There until Garcia gave them weapons and they heroically fought and defeated the 'terrucos'. There were heroes, they are now spurred on by Bolivian hell! Incredible. "
THE LAW OF THE JUNGLE
"Given the terrible events unleashed in the jungle of Bagua, the first thing I say is that Peru is indebted to the brave police, they reached a place without even knowing what he faced. However, given their lives fulfilling their duty. But as this gesture is appreciated, we condemn the senseless political the President, the Premier, Minister of Interior and Congress of the APRA and Fujimori caballazo that tried to settle the debate of the controversial Decree 1090 ("Law of the Jungle '), which generated a huge mobilization of indigenous communities. The government knew that these ethnic groups would not cease their days of struggle (making of roads and oil jobs) if there was not any solution to this thorny issue. If in a week of negotiations, they were stalled, how they came to settle the issue with a trick in Congress? That ominous style of politics was cruel and senseless death of more than twenty policemen who did not know what they were exposed. Did he the government was a political ploy to resign to communities that feel that from Lima intended to wipe out its people, their lands, contaminate it, sell it and go the flora and fauna? So this is not the situation, the residents had every right to resist foreign decisions on their territory. Ignorant are those who say that the people of Lima have the same rights and asháninkas Huambisas on the forest. To Aurelio Pastor, Iquitos and the jungle is a 'resort lounge' exotic five star hotels in the Amazon. For natives, it is their homeland and that of their ancestors, which gives them life, water, food and housing. Alan Garcia, said to be intellectual, believes that the natives do not have brains, are gross and digits. Big mistake. Not for nothing and the mighty Incas nor the English with their muskets, or Sendero Luminoso terrorists could defeat them. Bolivians and Ecuadorians say that they are behind the protest, is a common way to hide the terrible mistake of the government to impose a law 'cooked' at the Government Palace with oilmen at the expense of thousands of natives. Such misuse is costing innocent blood of brave police officers and community members. The natives did not start this drama. Lived for centuries, without asking anything to the Peruvian State, inhabiting the jungle. Being used when the state gave him the win. To fight in the War of Cenepa and to combat Sendero. There until Garcia gave them weapons and they heroically fought and defeated the 'terrucos'. There were heroes, they are now spurred on by Bolivian hell! Incredible. "
Baby Congratularions Phrase
LA SELVA EN EL PERU
I think the 'official Peru', as the historian Jorge Basadre called the minority who ruled from the capital, Lima, ordering from the Government House or Congress, ignored, disrespected, overpowered the "real Peru", in this case made by the native communities. The controversial legislative decrees 1090 ('Law of the Jungle') wanted to approve the sinister 'caballazo'. Did they think the locals because they were away, because they speak another language, have a different culture and customs, and live in the wilderness, were to remain silent? We must be very ignorant and that sinned Alan Garcia, said to be 'intellectual'. The natives have children studying in universities, have lawyers, doctors working in their communities. They reported that they wanted to 'pig in a poke' to decrees that were assembled on the backs of the real Indians. So began the conflict. I committed the unforgivable crime García, Simon and Cabanillas by sending protesters to leave the young policemen who did not know who they were facing. The prominent anthropologist Roger Rumrrill, an expert on Amazonian issues, said: "Police faced one of the most warlike races of the Amazon: the Awajun-Wampis, the family of the Jivaro. They never allowed to enter the English territory over the centuries. The Jivaro are dangerous, kill their enemies, cut their heads and take them as trophies in the chest. Police confronted the Awajun-Wampis in Bagua. They are warriors and do not tolerate the invasion of their territories. They kill one of his brothers is as if they did a declaration of war. They are one of the largest families, approximately 65 000 members. These Indians were Aguarunas Huambisas guides Peruvian troops in the war against Ecuador. They are the ones who know the territory of the Cordillera del Condor. Does this not know the police? Accusing them of genocide, as do the authorities, all you do is exacerbate the feelings of the natives and repressive measures if they choose all they do is repeat the episode of the fateful Friday, July 5. They should read these cave calling the Navy, the Army Aviation and devastate communities. These voices do not see Peru as a multiethnic state. For them, the forest is only a tourist place to visit it in three days from Iquitos and the natives are only Boras, who for a few soles you will sing and dance. Who is to blame for that part of the deep Peru remains ignored by the rest of the Peruvians? They have never bothered to state. Have suffered famines, epidemics, and the "real Peru" did not learn or were interested. 
Wednesday, April 22, 2009
Parkinson Disease More Condition_symptoms
ENOUGH OF FAMOUS PEOPLE HATES .... one to imitate
Biography of Andrea Bocelli
Currently, Andrea Bocelli is the most loved Italian singer, most popular and pampered, both in Europe and the United States: his albums are sold in a flash and his tours to draw 20,000 people per concert. However, when asked what is the most beautiful memories of his career, Bocelli answers: "A concert Sferisterio of Macerata. In the clubhouse, an old man told me:" Mr. Bocelli, a lifetime I've heard opera. I have come to their concert with some suspicion, but I have to admit that your performance of the aria from the Arlesiana was perfect. "This is what counts." His story is the story of unconditional love for music from an early age. Born on 22 September 1958, Bocelli grew up on the family farm in a village in the Tuscan countryside, Lajatico. "I was mesmerized listening to opera excerpts," he remembers Bocelli. "At age six, studying piano, then I learned to play the flute and saxophone. I always asked to sing for my relatives." At the end of secondary school, is part of the Faculty of Law, University of Pisa and graduated without ever leaving the song. Indeed. Attend classes tenor Franco Corelli and sang in piano bars. At that time he met Enrica, with which married and has two sons, Amos and Matteo. The "official" start of his career came about by chance hearing that the singer Zucchero Fornaciari conducted in 1992 with the aim of finding someone to sing the song "Miserere" to tenor Luciano Pavarotti to sing with him. When the great tenor emiliano Bocelli heard the recording said "Thank you for this beautiful song, but allow Andrea to sing it. No one can do better than him." Then, as everyone knows, Pavarotti recorded the song, but for Zucchero's European tour, he sang instead of Andrea Bocelli. Shortly after, in 1993, he also began career label with the signing of a contract with Caterina Caselli. In the same year, Sanremo playoffs than singing "Miserere" and out winner of the Festival New Proposals category. In 1994 he was invited to participate in the official section of the Festival of Sanremo with the song "Il Mare Calmo della Sera", and gets a record score. He published his first album (with the same title of the song) and thus its rapidly growing popularity in a few weeks he won his first platinum record. The following year, returns to the Festival with the song "Con te partirò", part of the album "Bocelli" and that in Italy you get a double platinum. In the same year, during a European tour ("Night of the Proms"), involving Bryan Ferry, Al Jarreau and other great singers, Bocelli sings to 500,000 people and tens of millions of viewers. The worldwide success is immediate. The singles "With partirò you (and the English version of" Time to Say Goodbye ") are converted into sales records in many countries and the album won awards throughout Europe. In France, the single will remain at the top of the charts for six weeks and won three gold discs in Belgium, it was number one for 12 weeks, the greatest success in years. Moreover, the album "Bocelli" will quadruple platinum in Germany (Almost 2 million copies sold), four in the Netherlands and two in Italy. However, in 1996, with the next album, "Romanza" unimaginable heights of international success. Only after a few weeks, the CD was certified platinum in almost all countries which had been published and the international press that Bocelli enjoyed a worthy heir to Enrico Caruso. However it should be noted that, motivated by a growing success, and in 1995 Bocelli had paid tribute to the tradition of Italian tenor with the CD "Viaggio Italiano", inspired by the migrants and the artists who popularized the Italian opera the world. In 1998, with the international debut classical album "Aria", will dominate the classical music charts and climbing the international pop music. Parallel to the tours, he offers to sing opera, a dream he had cherished since his childhood. "I was very lucky," he says. In these days, has released his new CD, "Sogno," a highly anticipated album which soon reached the top spot in the hit parade in Europe and fourth in the United States. In view of this, a win is expected that, for the record size, you can remember when Domenico Modugno in 1958 with "Volare", without However, this success is not expected to affect the life philosophy of the Tuscan tenor or away from your family, friends and love for the Tuscan countryside. "Success is a causal link" keeps repeating, while continuing to accumulate awards from anywhere in the world, "and it's important not to it too. There are other more important things. Like, for example, loved ones and friends, I like to invite to dinner when I come home and, closing the door, all left behind. The only thing that comes home is my voice because, well, I have to rehearse two hours a day minimum. "
Currently, Andrea Bocelli is the most loved Italian singer, most popular and pampered, both in Europe and the United States: his albums are sold in a flash and his tours to draw 20,000 people per concert. However, when asked what is the most beautiful memories of his career, Bocelli answers: "A concert Sferisterio of Macerata. In the clubhouse, an old man told me:" Mr. Bocelli, a lifetime I've heard opera. I have come to their concert with some suspicion, but I have to admit that your performance of the aria from the Arlesiana was perfect. "This is what counts." His story is the story of unconditional love for music from an early age. Born on 22 September 1958, Bocelli grew up on the family farm in a village in the Tuscan countryside, Lajatico. "I was mesmerized listening to opera excerpts," he remembers Bocelli. "At age six, studying piano, then I learned to play the flute and saxophone. I always asked to sing for my relatives." At the end of secondary school, is part of the Faculty of Law, University of Pisa and graduated without ever leaving the song. Indeed. Attend classes tenor Franco Corelli and sang in piano bars. At that time he met Enrica, with which married and has two sons, Amos and Matteo. The "official" start of his career came about by chance hearing that the singer Zucchero Fornaciari conducted in 1992 with the aim of finding someone to sing the song "Miserere" to tenor Luciano Pavarotti to sing with him. When the great tenor emiliano Bocelli heard the recording said "Thank you for this beautiful song, but allow Andrea to sing it. No one can do better than him." Then, as everyone knows, Pavarotti recorded the song, but for Zucchero's European tour, he sang instead of Andrea Bocelli. Shortly after, in 1993, he also began career label with the signing of a contract with Caterina Caselli. In the same year, Sanremo playoffs than singing "Miserere" and out winner of the Festival New Proposals category. In 1994 he was invited to participate in the official section of the Festival of Sanremo with the song "Il Mare Calmo della Sera", and gets a record score. He published his first album (with the same title of the song) and thus its rapidly growing popularity in a few weeks he won his first platinum record. The following year, returns to the Festival with the song "Con te partirò", part of the album "Bocelli" and that in Italy you get a double platinum. In the same year, during a European tour ("Night of the Proms"), involving Bryan Ferry, Al Jarreau and other great singers, Bocelli sings to 500,000 people and tens of millions of viewers. The worldwide success is immediate. The singles "With partirò you (and the English version of" Time to Say Goodbye ") are converted into sales records in many countries and the album won awards throughout Europe. In France, the single will remain at the top of the charts for six weeks and won three gold discs in Belgium, it was number one for 12 weeks, the greatest success in years. Moreover, the album "Bocelli" will quadruple platinum in Germany (Almost 2 million copies sold), four in the Netherlands and two in Italy. However, in 1996, with the next album, "Romanza" unimaginable heights of international success. Only after a few weeks, the CD was certified platinum in almost all countries which had been published and the international press that Bocelli enjoyed a worthy heir to Enrico Caruso. However it should be noted that, motivated by a growing success, and in 1995 Bocelli had paid tribute to the tradition of Italian tenor with the CD "Viaggio Italiano", inspired by the migrants and the artists who popularized the Italian opera the world. In 1998, with the international debut classical album "Aria", will dominate the classical music charts and climbing the international pop music. Parallel to the tours, he offers to sing opera, a dream he had cherished since his childhood. "I was very lucky," he says. In these days, has released his new CD, "Sogno," a highly anticipated album which soon reached the top spot in the hit parade in Europe and fourth in the United States. In view of this, a win is expected that, for the record size, you can remember when Domenico Modugno in 1958 with "Volare", without However, this success is not expected to affect the life philosophy of the Tuscan tenor or away from your family, friends and love for the Tuscan countryside. "Success is a causal link" keeps repeating, while continuing to accumulate awards from anywhere in the world, "and it's important not to it too. There are other more important things. Like, for example, loved ones and friends, I like to invite to dinner when I come home and, closing the door, all left behind. The only thing that comes home is my voice because, well, I have to rehearse two hours a day minimum. "
Tuesday, February 17, 2009
Big Fun Motorcycle Games
NEW CONCERT CD AND TE BONE Paiporta
Here I leave a little information about the two concerts that I will play this week as a soloist, is the "TE BON E Paiporta" de Ferrer Ferran and interpreted:
- Thursday 19 February 2009 in the Auditorium at 20:00 Huesca
-Friday February 20, 2009 at the Auditorio de Zaragoza (mozart9 room at 20:15 hours.
The program to be performed is as follows:
I
La Commedia "Nel Mezzo di Nostra Vita Cammino the"
Matthias van Nispen tot Pannerden Vanesa Garcia-Soprano
"You and Paiporta Bon Concerto for Trombone in Three Movements and Banda Sinfónica Ferrer Ferrán
Sant Jordi
Aroma d'Orange Blossom to the bank Feast
Ximo Vicedo-trombone
II
"Homage to Dmitri Schostakovich" Ed de Boer
Nora Maria ballast-Violin
"David Stephen Melilla
Vanessa García-Soprano
Symphonic Band del Conservatorio Superior de Música in Y ARAGON, University of Zaragoza
Director: Miquel Rodrigo.
Soloists: Nora M ª Ballast-Violin;
Vanesa Garcia-Soprano;
Ximo Vicedo-Trombone
Banda Sinfónica del Conservatorio Superior de Música de Aragón
La Banda Sinfónica form essential part of the scholarly projects of almost all universities and colleges of music world's most advanced. In countries like USA, Japan or those of our European environment, such as Finland, Norway, Netherlands, Italy and the United Kingdom, the Banda Sinfónica not only part of such provision but also programming in the main auditorium with a staggering attendance rates, which in the case of Japan, surpassing even that of the same Symphony Orchestra. In this same concept, and on the way to attain that level of the world's most advanced centers, the Conservatory of Music of Aragon (CSMA) created four years ago the Symphonic Band, for which, specifically, he joined the Conservatory faculty staff of one of the most sought at European level in this field, Miquel Rodrigo. CSMA Symphonic Band, along with his Symphony Orchestra and Chamber Orchestra (Camerata Aragón ") is the list of larger formations instrumental representative of the center. All have been created with a dual aim is unquestionably an education, the other cultural and social. The emphasis on these aspects have led, among other things, to sign an important agreement between the University of Zaragoza and the Ministry of Education, Culture and Sports of the Government of Aragon - through its "Aragon Institute of Art Education superiors "(to which the CSMA) newly-operation in which one of his major points is collected, CSMA formations that hold the representativeness of the University of Zaragoza in the series of concerts or cultural events to express participation University, as is the case today. Apart from the excellent transcriptions of orchestral music now being made to Banda Sinfónica, there is now a considerable literature with original music written specifically for Symphonic Band, an extraordinary level of musicianship. There are many important composers, that in recent years have seen the Symphonic Band as a unique testing ground in which shape their musical ideas. Some of these works have been presented in premiere, in recent years by the Banda Sinfónica del CSMA and now also of the UZ. Unlike bands that we know, the Banda Sinfónica template, as presented here and as its name implies, has a remarkable string section, four cellos and four double basses, and a large section of percussion, usually incorporating key instruments like piano, the celesta or the harpsichord, and other like harp or the recorder combined also including Jazz, and Song, and electric instruments (guitar, bass), and other artistic elements such as audio-visual projections and different sounds (as is the case today), which allows us to tackle a repertoire quite versatile in both original works for band, and in the transcriptions of symphonic works the same. Proof of this is that since its recent integration in the academic project of CSMA have passed through the stands of the group, plays and concerts of all types with varied backgrounds, many of them released in Spain as "Desi" Michael Daugherty for wind ensemble, "David" by Stephen Melillo with Soprano voice concertante (now we hear) to big-band music as "Prelude, Fugue and Riffs" by Leonard Bernstein, Frank Uyttebroeck version of Bolero by M. Ravel, Ed de Boer Homage to Dmitri Shostakovich violin concerto ( also on the agenda today), Bill Whelan "Riverdance" with flute solo, the original version for symphonic band Ferde Groff of "Rhapsody in Blue" George Gershwin, Concerto for Cello Johan de Mij, etc. Amen to several concerts for Trombone, Tuba, Saxophone, Trumpet, all executed with great success by students at the school. Notably, the monographic concert offered by the Banda Sinfónica del CSMA last December, on one of the most renowned composers currently in the field of symphonic music Banda: Ferrer Ferran, in which the CSMA Symphonic Band premiered his latest works. The work culminated in the recording of a CD to be distributed in Europe and Japan. CSMA is the intention of this initiative to leave a printed record of his work and his Symphonic Band resulting distribution, continue in the future. Priority objective of the Banda Sinfónica del CSMA is also developing its integrationist in the center, showing its cooperation to the various departments, making it a useful and practical tool in an academic project quite innovative as CSMA. Two obvious examples are the annual premiere of works composed specifically for band or wind ensemble by students of the department of composition of the center, and collaboration with the Department of Education for the Symphonic Band and has spent CSMA a space within its programming through the concerts for schoolchildren offered in the Auditorium of the Conservatory itself, with the inclusion with great success great works as "Hary Janos" by Zoltan Kodaly or-Ballet Suite by Dmitri Shostakovich "The Bolt" (The lock) also released in Spain. All this makes the Banda Sinfónica del CSMA and the UZ, a modern-looking bet, young, dynamic, alternative, useful, quality, and especially attractive to the listener. If the CSMA has already fulfilled one of its objectives: to get to become a reference center for advanced studies in music, is also getting its three orchestras are such a reference in the field of Youth Orchestras.
Miquel Rodrigo-Director
graduated in Orchestral and Band with distinction "Summa Cum Laude" by the Conservatory of Music in Maastricht (Holland) with teachers Sef Pijpers, Jan Stulen, and was later awarded a scholarship by the "Stichting Podium Kunsten "(performing arts department of the Dutch Government) for further expansion with teachers Gunther Schuller (Indiana University-Bloomington) and Ton Kopmar (Royal Conservatory of Amsterdam). His career begin to be internationally recognized in 1993 after obtaining the prestigious "Golden Baton" in Kerkrade (Holland), was subsequently awarded in different international competitions such as conducting "Gregorz Fitelberg" in Poland or the Hungarian Television Radio, receiving the 1997 Award nomination Henriette Hustinx "of Fine Arts from the University of Maastricht. In 1995 Dutch and German critics praise his brilliant debut in front of the Limburg Symphony and the "Deutsche Kammer Orchester Frankfurt. In 1997 he was appointed Chief Conductor of the "Sinfonietta" in Geleen City and in 1998 Chief Resident "North-Holland Philharmonic Orchestra" in Haarlem, where the cultural press association will stand out as "Young Director of the year." Miquel Rodrigo Banda has directed regularly by the Queen of Holland, and the Banda Royal Air Force in the same country, which is currently Associate Director multifaceted civil Director has developed a busy career that includes all kinds of styles and repertoire Symphony both in the field and in the Ballet, Opera, Operetta and Musical Highlights at the forefront of training in countries like Germany, Italy, Netherlands, Poland, Hungary, Romania, Czech Republic, USA, Mexico or Spain where he has conducted between other symphony orchestras in Valencia, Cordoba, Murcia and Castilla-León.Ha actively participated in various forums of composition with masters like Karel Husa, Jan van der Roost, Ferrer Ferrán, Amando Blanquer, Jef Penders Alfred Reed or other activities which shared the podium on several concert tours with the Band of the Queen of Holland. Since 2006, a member of the Associated Board of the Royal Schools of London, and "Conductor's Guild" (Association of Directors of Orchestra USA). Miquel Rodrigo is since 2004 professor at the Conservatory of Music of Aragon to be the Director of the Banda Sinfónica holder.
Nora M ª Ballast-Violin
Havana, Cuba, 1983. He began studying piano at the age of five years Children's Workshop in Talent and pianist Professor Teresita Junco. During his training has been taught by the pianists Andrew Alen, Tieles Cecilio, Luis Lugo, Jane Coop, Markus Kretzer and Michael Endres. From the year 2006-2007 is a student at the Escuela Superior de Musica Reina Sofia in the Piano Department of Santander Bank Foundation Professor Dimitri Bashkirov, holder of the chair. Enjoy tuition scholarship from the Carolina Foundation and the Albéniz Foundation and grant residence of the Fundación Carolina. As a student of this school has received master classes of Professor Zoltan Kocsis and Emanuel Krasovsky.
Vanesa Garcia-Soprano
Began his musical studies at the Conservatory of Music in Zaragoza, where he obtained the title of Professor of Piano and Music Theory Senior title and Theory of Music. Subsequently, he went to the Conservatory of Music of Aragon which has now completed Choral studies under the direction of Nuria Fernandez, together with those studies Musicology and Music Pedagogy. He combines these studies with the higher level of singing at the Conservatorio del Liceu in Barcelona under the direction of Harriet Tarrés and CSMA with soprano Llanos Martínez.Es Professor of Vocal Technique for Children and Youth Choir "Amici Musicae" Auditorium of Zaragoza. It is also part of the new "Vozes English Al Ayre" and vocal group of voices, "Enchiriadis." He is currently coordinator of the Children's Chorus, along with Eulalia Fornells, within the Federation Square Coros.Ocupa Aragon opposition, as Professor of Music Theory at the Conservatory of Music in Zaragoza. Since September 2008 she teaches choir of Conservatory of Zaragoza. Until June 2006, and his singing career, she has combined her singing studies at the Conservatory of Zaragoza with classes taught by the soprano Lola Arenas. Make courses with teachers from the likes of Carlos Chausson, Renata Parussel, Miguel Zanetti, Lola Boson, Edelmiro Arnaltes, Jose Antonio Roman Marcos ... and further in Historical Interpretation with teachers Lynne Dawson, David Wilson-Johnson, Russell Smythe and Alan Branch. He has worked within the Federation of Choirs of Aragon, assistant choir vocal technique of "Society Magallón Artistic Musical" where he also taught Music Theory. He has participated in the opera "L'Elisir d'Amore" by Gaetano Donizetti (vocals), as a soloist in the role of Mercedes in the performances of the opera "Carmen" by Bizet (Company Cabaletta). He was a member of the group "Laude Filipina as a soprano and member of the" Teatro Lirico de Zaragoza "for seven years as a soprano, correpetidora, stage manager and assistant stage, representing the operettas" Giants and Big-heads "," La Gran Vía "," water, sugar and brandy, "" La Dolorosa "and numerous anthologies. In June 2008, she participated in the opera "Carmen" by Bizet at the Auditorio de Zaragoza, in the role of Frasquita. In his role as director, conducts training courses for choir directors organized by the federations corals of Aragon and the Basque Country, and choral workshops; Wilma teachers highlighting Ten Wolde, Jordi Casas, Juan Luis Martínez, Martin Schmidt, JR Gil-Tarrega and Maite Oca.
XIMO VICEDO, TROMBONE
passionate in their profession and committed to their work, Ximo Vicedo performs an important role both as pedagogical interpretation.
born in Castlebar (Alicante). He began his musical studies at the Santa Cecilia Music Association in his hometown. He studied at the Conservatory of Onil (Alicante), Cartagena and Salamanca where he earned the highest scores and special awards of Intermediate and Final Senior Trombone. He studied at the International Academy of Metals "Ciutat Vila-real "with Indalecio Bonet. was awarded a scholarship by the Ministry of Culture and the JONDE (Caja Madrid) to study in Paris with Gilles CNSM Milliere the Diploma of Higher Education and Postgraduate Soloist (Troisieme Cycle) in Superior National Conservotorio Music in Paris with Gilles Milliere, obtaining the highest calificaciones.Ha performed as soloist with the Orquesta Sinfónica de Albacete, Banda Sinfónica del Conservatorio Superior de Música de Aragón, National Youth Orchestra of Spain, Banda Municipal de Madrid and the Radio Orchestra English television and has given recitals in Oviedo, Madrid, Oporto (Portugal) and Paris (Cité de la Musique and CNSMDP) and recordings for TRITÓ, DECCA, TV3, RNE RTVE music, Canal Digital Track Classic. Has been Trombone Soloist of the Orquesta de Valencia and has collaborated with the Symphony Orchestra of Alicante, Ciudad de Granada, Philharmonia of Galicia, Spain National, Andrés Segovia Chamber Orchestra, Orchestra of Madrid, Berlin Staadoper, Mahler Chamber Orchestra and has been a member of the Youth Orchestra of the Region of Murcia (1996-97), National Youth Orchestra of Spain (1997-99) and the European Union Youth Orchestra (EUYO) (1999-2001), where he has worked with directors Sir Colin Davis, Bernard Haitink, Carlo Maria Giulini, Sir Neville Marriner, Philippe Herrewegue, Claudio Abbado, Daniel Harding and plays in major concert halls and festivals across Europe. It is regularly invited as a professor at the Student Orchestra of the Community of Madrid, Banda Sinfónica Municipal School of Madrid, Professor-Tutor of the Academy of Contemporary Music CDMC, Youth Orchestra of the Canary Islands, Jove Orquestra Nacional de Catalunya , Presjovem Orchestra and National Youth Orchestra of Spain (JONDE) and teaches courses and master classes throughout the English geography and Portugal. Has been awarded first prize in the II Chamber Music Competition "Guadamora" in Pozoblanco (Córdoba) and finalist in the competition "Jan Koetsier" in Munich (Germany) with the Brass Quintet "Iberbrass." Ximo
Vicedo just recorded a CD with a concert for trombone and band, "You and Paiporta Bon" de Ferrer Ferran together with the Banda Sinfónica del Conservatorio Superior de Música de Aragón under the direction of Miquel Rodrigo. Currently
Trombone Soloist Symphony Orchestra of Radio Television English (OSRTVE), performs an important role with the Orquestra de Cadaqués, a regular contributor to Mahler Chamber Orchestra, Trombone Choir TROBADA member and professor at the Conservatory of Music of Aragon. 
Here I leave a little information about the two concerts that I will play this week as a soloist, is the "TE BON E Paiporta" de Ferrer Ferran and interpreted:
- Thursday 19 February 2009 in the Auditorium at 20:00 Huesca
-Friday February 20, 2009 at the Auditorio de Zaragoza (mozart9 room at 20:15 hours.
The program to be performed is as follows:
I
La Commedia "Nel Mezzo di Nostra Vita Cammino the"
Matthias van Nispen tot Pannerden Vanesa Garcia-Soprano
"You and Paiporta Bon Concerto for Trombone in Three Movements and Banda Sinfónica Ferrer Ferrán
Sant Jordi
Aroma d'Orange Blossom to the bank Feast
Ximo Vicedo-trombone
II
"Homage to Dmitri Schostakovich" Ed de Boer
Nora Maria ballast-Violin
"David Stephen Melilla
Vanessa García-Soprano
Symphonic Band del Conservatorio Superior de Música in Y ARAGON, University of Zaragoza
Director: Miquel Rodrigo.
Soloists: Nora M ª Ballast-Violin;
Vanesa Garcia-Soprano;
Ximo Vicedo-Trombone
Banda Sinfónica del Conservatorio Superior de Música de Aragón
La Banda Sinfónica form essential part of the scholarly projects of almost all universities and colleges of music world's most advanced. In countries like USA, Japan or those of our European environment, such as Finland, Norway, Netherlands, Italy and the United Kingdom, the Banda Sinfónica not only part of such provision but also programming in the main auditorium with a staggering attendance rates, which in the case of Japan, surpassing even that of the same Symphony Orchestra. In this same concept, and on the way to attain that level of the world's most advanced centers, the Conservatory of Music of Aragon (CSMA) created four years ago the Symphonic Band, for which, specifically, he joined the Conservatory faculty staff of one of the most sought at European level in this field, Miquel Rodrigo. CSMA Symphonic Band, along with his Symphony Orchestra and Chamber Orchestra (Camerata Aragón ") is the list of larger formations instrumental representative of the center. All have been created with a dual aim is unquestionably an education, the other cultural and social. The emphasis on these aspects have led, among other things, to sign an important agreement between the University of Zaragoza and the Ministry of Education, Culture and Sports of the Government of Aragon - through its "Aragon Institute of Art Education superiors "(to which the CSMA) newly-operation in which one of his major points is collected, CSMA formations that hold the representativeness of the University of Zaragoza in the series of concerts or cultural events to express participation University, as is the case today. Apart from the excellent transcriptions of orchestral music now being made to Banda Sinfónica, there is now a considerable literature with original music written specifically for Symphonic Band, an extraordinary level of musicianship. There are many important composers, that in recent years have seen the Symphonic Band as a unique testing ground in which shape their musical ideas. Some of these works have been presented in premiere, in recent years by the Banda Sinfónica del CSMA and now also of the UZ. Unlike bands that we know, the Banda Sinfónica template, as presented here and as its name implies, has a remarkable string section, four cellos and four double basses, and a large section of percussion, usually incorporating key instruments like piano, the celesta or the harpsichord, and other like harp or the recorder combined also including Jazz, and Song, and electric instruments (guitar, bass), and other artistic elements such as audio-visual projections and different sounds (as is the case today), which allows us to tackle a repertoire quite versatile in both original works for band, and in the transcriptions of symphonic works the same. Proof of this is that since its recent integration in the academic project of CSMA have passed through the stands of the group, plays and concerts of all types with varied backgrounds, many of them released in Spain as "Desi" Michael Daugherty for wind ensemble, "David" by Stephen Melillo with Soprano voice concertante (now we hear) to big-band music as "Prelude, Fugue and Riffs" by Leonard Bernstein, Frank Uyttebroeck version of Bolero by M. Ravel, Ed de Boer Homage to Dmitri Shostakovich violin concerto ( also on the agenda today), Bill Whelan "Riverdance" with flute solo, the original version for symphonic band Ferde Groff of "Rhapsody in Blue" George Gershwin, Concerto for Cello Johan de Mij, etc. Amen to several concerts for Trombone, Tuba, Saxophone, Trumpet, all executed with great success by students at the school. Notably, the monographic concert offered by the Banda Sinfónica del CSMA last December, on one of the most renowned composers currently in the field of symphonic music Banda: Ferrer Ferran, in which the CSMA Symphonic Band premiered his latest works. The work culminated in the recording of a CD to be distributed in Europe and Japan. CSMA is the intention of this initiative to leave a printed record of his work and his Symphonic Band resulting distribution, continue in the future. Priority objective of the Banda Sinfónica del CSMA is also developing its integrationist in the center, showing its cooperation to the various departments, making it a useful and practical tool in an academic project quite innovative as CSMA. Two obvious examples are the annual premiere of works composed specifically for band or wind ensemble by students of the department of composition of the center, and collaboration with the Department of Education for the Symphonic Band and has spent CSMA a space within its programming through the concerts for schoolchildren offered in the Auditorium of the Conservatory itself, with the inclusion with great success great works as "Hary Janos" by Zoltan Kodaly or-Ballet Suite by Dmitri Shostakovich "The Bolt" (The lock) also released in Spain. All this makes the Banda Sinfónica del CSMA and the UZ, a modern-looking bet, young, dynamic, alternative, useful, quality, and especially attractive to the listener. If the CSMA has already fulfilled one of its objectives: to get to become a reference center for advanced studies in music, is also getting its three orchestras are such a reference in the field of Youth Orchestras.
Miquel Rodrigo-Director
graduated in Orchestral and Band with distinction "Summa Cum Laude" by the Conservatory of Music in Maastricht (Holland) with teachers Sef Pijpers, Jan Stulen, and was later awarded a scholarship by the "Stichting Podium Kunsten "(performing arts department of the Dutch Government) for further expansion with teachers Gunther Schuller (Indiana University-Bloomington) and Ton Kopmar (Royal Conservatory of Amsterdam). His career begin to be internationally recognized in 1993 after obtaining the prestigious "Golden Baton" in Kerkrade (Holland), was subsequently awarded in different international competitions such as conducting "Gregorz Fitelberg" in Poland or the Hungarian Television Radio, receiving the 1997 Award nomination Henriette Hustinx "of Fine Arts from the University of Maastricht. In 1995 Dutch and German critics praise his brilliant debut in front of the Limburg Symphony and the "Deutsche Kammer Orchester Frankfurt. In 1997 he was appointed Chief Conductor of the "Sinfonietta" in Geleen City and in 1998 Chief Resident "North-Holland Philharmonic Orchestra" in Haarlem, where the cultural press association will stand out as "Young Director of the year." Miquel Rodrigo Banda has directed regularly by the Queen of Holland, and the Banda Royal Air Force in the same country, which is currently Associate Director multifaceted civil Director has developed a busy career that includes all kinds of styles and repertoire Symphony both in the field and in the Ballet, Opera, Operetta and Musical Highlights at the forefront of training in countries like Germany, Italy, Netherlands, Poland, Hungary, Romania, Czech Republic, USA, Mexico or Spain where he has conducted between other symphony orchestras in Valencia, Cordoba, Murcia and Castilla-León.Ha actively participated in various forums of composition with masters like Karel Husa, Jan van der Roost, Ferrer Ferrán, Amando Blanquer, Jef Penders Alfred Reed or other activities which shared the podium on several concert tours with the Band of the Queen of Holland. Since 2006, a member of the Associated Board of the Royal Schools of London, and "Conductor's Guild" (Association of Directors of Orchestra USA). Miquel Rodrigo is since 2004 professor at the Conservatory of Music of Aragon to be the Director of the Banda Sinfónica holder.
Nora M ª Ballast-Violin
Havana, Cuba, 1983. He began studying piano at the age of five years Children's Workshop in Talent and pianist Professor Teresita Junco. During his training has been taught by the pianists Andrew Alen, Tieles Cecilio, Luis Lugo, Jane Coop, Markus Kretzer and Michael Endres. From the year 2006-2007 is a student at the Escuela Superior de Musica Reina Sofia in the Piano Department of Santander Bank Foundation Professor Dimitri Bashkirov, holder of the chair. Enjoy tuition scholarship from the Carolina Foundation and the Albéniz Foundation and grant residence of the Fundación Carolina. As a student of this school has received master classes of Professor Zoltan Kocsis and Emanuel Krasovsky.
Vanesa Garcia-Soprano
Began his musical studies at the Conservatory of Music in Zaragoza, where he obtained the title of Professor of Piano and Music Theory Senior title and Theory of Music. Subsequently, he went to the Conservatory of Music of Aragon which has now completed Choral studies under the direction of Nuria Fernandez, together with those studies Musicology and Music Pedagogy. He combines these studies with the higher level of singing at the Conservatorio del Liceu in Barcelona under the direction of Harriet Tarrés and CSMA with soprano Llanos Martínez.Es Professor of Vocal Technique for Children and Youth Choir "Amici Musicae" Auditorium of Zaragoza. It is also part of the new "Vozes English Al Ayre" and vocal group of voices, "Enchiriadis." He is currently coordinator of the Children's Chorus, along with Eulalia Fornells, within the Federation Square Coros.Ocupa Aragon opposition, as Professor of Music Theory at the Conservatory of Music in Zaragoza. Since September 2008 she teaches choir of Conservatory of Zaragoza. Until June 2006, and his singing career, she has combined her singing studies at the Conservatory of Zaragoza with classes taught by the soprano Lola Arenas. Make courses with teachers from the likes of Carlos Chausson, Renata Parussel, Miguel Zanetti, Lola Boson, Edelmiro Arnaltes, Jose Antonio Roman Marcos ... and further in Historical Interpretation with teachers Lynne Dawson, David Wilson-Johnson, Russell Smythe and Alan Branch. He has worked within the Federation of Choirs of Aragon, assistant choir vocal technique of "Society Magallón Artistic Musical" where he also taught Music Theory. He has participated in the opera "L'Elisir d'Amore" by Gaetano Donizetti (vocals), as a soloist in the role of Mercedes in the performances of the opera "Carmen" by Bizet (Company Cabaletta). He was a member of the group "Laude Filipina as a soprano and member of the" Teatro Lirico de Zaragoza "for seven years as a soprano, correpetidora, stage manager and assistant stage, representing the operettas" Giants and Big-heads "," La Gran Vía "," water, sugar and brandy, "" La Dolorosa "and numerous anthologies. In June 2008, she participated in the opera "Carmen" by Bizet at the Auditorio de Zaragoza, in the role of Frasquita. In his role as director, conducts training courses for choir directors organized by the federations corals of Aragon and the Basque Country, and choral workshops; Wilma teachers highlighting Ten Wolde, Jordi Casas, Juan Luis Martínez, Martin Schmidt, JR Gil-Tarrega and Maite Oca.
XIMO VICEDO, TROMBONE
passionate in their profession and committed to their work, Ximo Vicedo performs an important role both as pedagogical interpretation.
born in Castlebar (Alicante). He began his musical studies at the Santa Cecilia Music Association in his hometown. He studied at the Conservatory of Onil (Alicante), Cartagena and Salamanca where he earned the highest scores and special awards of Intermediate and Final Senior Trombone. He studied at the International Academy of Metals "Ciutat Vila-real "with Indalecio Bonet. was awarded a scholarship by the Ministry of Culture and the JONDE (Caja Madrid) to study in Paris with Gilles CNSM Milliere the Diploma of Higher Education and Postgraduate Soloist (Troisieme Cycle) in Superior National Conservotorio Music in Paris with Gilles Milliere, obtaining the highest calificaciones.Ha performed as soloist with the Orquesta Sinfónica de Albacete, Banda Sinfónica del Conservatorio Superior de Música de Aragón, National Youth Orchestra of Spain, Banda Municipal de Madrid and the Radio Orchestra English television and has given recitals in Oviedo, Madrid, Oporto (Portugal) and Paris (Cité de la Musique and CNSMDP) and recordings for TRITÓ, DECCA, TV3, RNE RTVE music, Canal Digital Track Classic. Has been Trombone Soloist of the Orquesta de Valencia and has collaborated with the Symphony Orchestra of Alicante, Ciudad de Granada, Philharmonia of Galicia, Spain National, Andrés Segovia Chamber Orchestra, Orchestra of Madrid, Berlin Staadoper, Mahler Chamber Orchestra and has been a member of the Youth Orchestra of the Region of Murcia (1996-97), National Youth Orchestra of Spain (1997-99) and the European Union Youth Orchestra (EUYO) (1999-2001), where he has worked with directors Sir Colin Davis, Bernard Haitink, Carlo Maria Giulini, Sir Neville Marriner, Philippe Herrewegue, Claudio Abbado, Daniel Harding and plays in major concert halls and festivals across Europe. It is regularly invited as a professor at the Student Orchestra of the Community of Madrid, Banda Sinfónica Municipal School of Madrid, Professor-Tutor of the Academy of Contemporary Music CDMC, Youth Orchestra of the Canary Islands, Jove Orquestra Nacional de Catalunya , Presjovem Orchestra and National Youth Orchestra of Spain (JONDE) and teaches courses and master classes throughout the English geography and Portugal. Has been awarded first prize in the II Chamber Music Competition "Guadamora" in Pozoblanco (Córdoba) and finalist in the competition "Jan Koetsier" in Munich (Germany) with the Brass Quintet "Iberbrass." Ximo
Vicedo just recorded a CD with a concert for trombone and band, "You and Paiporta Bon" de Ferrer Ferran together with the Banda Sinfónica del Conservatorio Superior de Música de Aragón under the direction of Miquel Rodrigo. Currently
Trombone Soloist Symphony Orchestra of Radio Television English (OSRTVE), performs an important role with the Orquestra de Cadaqués, a regular contributor to Mahler Chamber Orchestra, Trombone Choir TROBADA member and professor at the Conservatory of Music of Aragon.
Saturday, January 17, 2009
Can You Have A Pet Platypus
XIMO VICEDO VISIT STOMVI
My first feeling on this contact with the trombone Stomvi Titan was very good, I think to get used to playing with him every time is better, as I will be discussing. It will be a good instrument.
Infant Hole In Heart Causes
EVENTS
Hello everyone, first of all HAPPY NEW YEAR 2009. Now I just want to communicate a series of events, professional commitments I have at the moment, aperte of the RTVE Symphony Orchestra and Conservatory of Music of Aragon.
- XI International Course on Technical and Further Toolkit, and a recital in this course works Krol, Suleck and Ferran, this course is taught in opart (Portugal from 3 to 7 February 2009.
- Concerto trombone and band Ferrer Ferrán, together with the Banda Sinfónica del Conservatorio Superior de Música de Aragón and directed by Miquel Rodrigo:
February 15, 2009 at the Auditorio de Zaragoza (Sala Mozart) (12:00 h),
19 February 2009 in the Auditorium of Huesca (20:00)
February 20, 2009 at the Auditorio de Zaragoza (Sala Mozart) (20:15)
- Cadaqués Orchestra, Sir Neville Marriner, 1 st Symphony Gustav Mahler, concerts in Zaragoza and Huesca, 3 to March 9, 2009.
- Master Class at the Conservatorio Superior de Música de Alicante, April 30, 2009
- Mahler Chamber Orchestra, Claudio Abbado leads, Tour of Italy, from 1 to 7 April 2009
Here you are, but later I will be communicating my events. Thanks. 
Hello everyone, first of all HAPPY NEW YEAR 2009. Now I just want to communicate a series of events, professional commitments I have at the moment, aperte of the RTVE Symphony Orchestra and Conservatory of Music of Aragon.
- XI International Course on Technical and Further Toolkit, and a recital in this course works Krol, Suleck and Ferran, this course is taught in opart (Portugal from 3 to 7 February 2009.
- Concerto trombone and band Ferrer Ferrán, together with the Banda Sinfónica del Conservatorio Superior de Música de Aragón and directed by Miquel Rodrigo:
February 15, 2009 at the Auditorio de Zaragoza (Sala Mozart) (12:00 h),
19 February 2009 in the Auditorium of Huesca (20:00)
February 20, 2009 at the Auditorio de Zaragoza (Sala Mozart) (20:15)
- Cadaqués Orchestra, Sir Neville Marriner, 1 st Symphony Gustav Mahler, concerts in Zaragoza and Huesca, 3 to March 9, 2009.
- Master Class at the Conservatorio Superior de Música de Alicante, April 30, 2009
- Mahler Chamber Orchestra, Claudio Abbado leads, Tour of Italy, from 1 to 7 April 2009
Here you are, but later I will be communicating my events. Thanks.
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